5D Shooting “Semi-log” and FCP Import

There are quite a few links to this already on the web.  But I thought I would help spread the word.  For those of us using 5/7D cameras, there’s a way to squeeze some extra dynamic range into your images by making a custom curve with the provided software by Canon.  Essentially, turning your footage into a semi-log like image.  It’s still 8-bit, but it’s very helpful, especially with the exposure challenges of shooting with these cameras, to capture more luma info up front and then apply your looks in post.

The curve editor is a pain in the ass to use, and some smart people have already pre-made files you can use as well as made a tutorial video here:

http://www.vimeo.com/7256322

 

Below are two Images that I shot, one in the standard “Portrait” mode, the other using a “panalog-like” mode.  You can see instantly, that without changing exposure or anything else, I’ve gained a lot of detail back in the shadowy areas of the stuffed dragon.  I also turned off the artificial sharpening the camera does by default, again, choosing to save that option for post… I feel like the panalog image is a bit softer, but not defocused by any means, I actually like it.  Lastly, take a look at the plane behind the FG figure, you can see that the portrait mode is adding some red into the mix, warming things up, where as the panalog is more neutral.

I would highly recommend TV shows using the 5D/7D shoot in one of these modes.

Oh, and one more tip.  Canon has a little known and fairly hidden FREE plug in for Final Cut Pro.  read about it here:  http://www.usa.canon.com/dlc/controller?act=GetArticleAct&articleID=3249

The highlights:

1) It’s about 3x faster than using compressor to convert Prores.  Not sure why, but I’m not complaining.

2) It Time code stripes your footage based on the date/time stamp of the footage.  This is great, especially if you are shooting multicam and need to sync footage *cough* driving plates *cough*

3) It’s run through log and transfer.  So it’s just like capturing P2 footage.  No added confusion.

 

As promised, here are some color style stills:

 

Semi-Log Curve:

 

sRGB Curve in camera Default “Portrait Mode:”

The Great Tree Attack

So I come home early from work cause I am feeling ill.  And then the tree attacks.  Luckily, it missed me by about 3 feet.  Luckily I decided to park where I parked.  The van was not so lucky.

Alexa at work

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We are about to do a full Alexa to lustre test at work. Sweeet.


Riser Book Teaser Video

Check out this cool 1 min video Becca and I produced in celebration of her book release.

 

Cups

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Some cups. Why not?

Lots of Upgrades

This post is in celebration of me upgrading my site to link to both Facebook and Twitter… oh, and also my tattoo upgrade

Atwater Village, Madera Ave

Silverlake Trader Joe’s

Canon Mark ii 24-104mm L series lens, B+W Polarizer, some texture overlays.

Millimeter Announces Changes at Encore Hollywood

Encore Hollywood has expanded its Visual Effects offering with the additions of Stephan Fleet as creative director, Emmy Award-winner Mitch Gates as CG supervisor and the promotion of Tom Kendall to the key role of executive producer. “We now offer on-set visual effects supervision, complete plate production and an extensive library of models and effects,” says Bill Romeo, Sr. VP of Ascent Media’s ETV (Entertainment Television) division. “Combined with key personnel additions, these moves represent our development as a business and an expansion of the VFX services we can provide.”

Click Here for Full Article

Celtic festival in flagstaff

Celtic festival in flagstaff

@hapkido and @hugostacos

@hapkido and @hugostacos

My Silent Sadness